Papier-mâché from municipal tax bills, 31×21 cm

Curving was created for Roi Carmeli’s “house residency” program, BULB. The designated room, directly connected to the living room, offered a unique dynamic between the spaces. In response, Schwartz designed a piece that blurs the boundaries between private and public. The centerpiece is a curved bench for visitors and artworks to sit on or within, with smaller works integrated as structural supports or armrests, merging functionality and artistic expression.

Curving was created for Roi Carmeli’s “house residency” program, BULB. The designated room, directly connected to the living room, offered a unique dynamic between the spaces. In response, Schwartz designed a piece that blurs the boundaries between private and public. The centerpiece is a curved bench for visitors and artworks to sit on or within, with smaller works integrated as structural supports or armrests, merging functionality and artistic expression.

Curving was created for Roi Carmeli’s “house residency” program, BULB. The room designated for the work was directly connected to and open towards the living room, creating a unique dynamic between the spaces. Given that it was a private residential home, Schwartz sought to craft a piece that would blur and play with the boundaries between the private and the public. The centerpiece of the work is a curved bench designed for both visitors and the artworks themselves to sit on or within. Smaller works are integrated into the larger piece, serving as structural supports or functioning as armrests, blending functionality with artistic expression.

Curving was created for Roi Carmeli’s “house residency” program, BULB. The designated room, directly connected to the living room, offered a unique dynamic between the spaces. In response, Schwartz designed a piece that blurs the boundaries between private and public. The centerpiece is a curved bench for visitors and artworks to sit on or within, with smaller works integrated as structural supports or armrests, merging functionality and artistic expression.

Honey jar, aluminum cast, water, used disposable contact lenses. 17x4x4 cm

Vanish Action was created as part of the Tel Aviv Museum exhibition Outside the Cube, curated by Ishai Shapira Kalter. The work was installed in a built addition on the rooftop of the artist’s apartment building, originally intended to serve as a laundry room. In response to this setting, the artist created six small basins, which she attached to the walls of the structure. These basins were crafted from green playdough and sealed with clear nail polish. Inside them, she poured a custom-made washing liquid, created from water collected from a nearby street fountain, along with leaves from a neighboring tree, cucumber, and melon.

Vanish Action was created as part of the Tel Aviv Museum exhibition Outside the Cube, curated by Ishai Shapira Kalter. The work was installed in a built addition on the rooftop of the artist’s apartment building, originally intended to serve as a laundry room. In response to this setting, the artist created six small basins, which she attached to the walls of the structure. These basins were crafted from green playdough and sealed with clear nail polish. Inside them, she poured a custom-made washing liquid, created from water collected from a nearby street fountain, along with leaves from a neighboring tree, cucumber, and melon.

Plaster, sand from northern Israel and a bird nest, 54x35x15 cm

Papier-mâché from municipal tax bills, 31×21 cm